World trade center movie torrent download

Working under treacherous conditions, an army of dedicated rescuers struggles to find anyone who survived the World Trade Center's tragic collapse. Watch all you want. More Details. Watch offline. Available to download. This film is Daniel Kaluuya. Youn Yuh-jung. Frances McDormand.

Viola Davis. Riz Ahmed. Chadwick Boseman. Anthony Hopkins. Matt Damon. Highest Grossing Bollywood Movies Of Notification Settings X Time Settings. Clear My notification inbox. Clear Notification X Do you want to clear all the notifications from your inbox? Yes No. View All Videos 1. View All Photos Movie Info. Two Port Authority officers, Sgt. Oliver Stone. Andrea Berloff. Aug 9, wide. Dec 12, Paramount Pictures.

Nicolas Cage Sgt. John McLoughlin. Maggie Gyllenhaal Allison Jimeno. Maria Bello Donna McLoughlin. Stephen Dorff Scott Strauss. Jay Hernandez Dominick Pezzulo. Michael Shannon Dave Karnes. Nicholas Turturro Officer Colovito. William Mapother Thomas. Jude Ciccolella Inspector Fields. Donna Murphy Judy Jonas. Brad William Henke Jerry. Patti D'Arbanville Lynne. Kurt Caceres Billings. Nick Damici Kazmatis. Lucia Brawley Karen. Danny Nucci Officer Giraldi. Gary Stretch Jimmy McGuinness. Oliver Stone Director.

Andrea Berloff Writer. Debra Hill Producer. Moritz Borman Producer. Michael Shamberg Producer. Stacey Sher Producer. Seamus McGarvey Cinematographer. David Brenner Film Editor. Julie Monroe Film Editor. Billy Hopkins Casting. Mary Vernieu Casting. Shalimar Reodica Casting. Jan Roelfs Production Design. Beth A. Rubino Set Decoration. Craig Armstrong Original Music. Donald J. If so then he succeeded but in doing so he didn't achieve the perhaps impossible task of making me treat this as just the story I was being told.

The film is at its best when it is depicting the scale of the losses while also highlighting the humanity of the response well, initial response from people from everywhere. It is unavoidably sentimental at times but mostly I was impressive by how it generally avoided mawkishness and really pushing buttons. The cast are mostly good and I do think that the same material delivered by lesser actors could easily have seen it plummeting to the level of daytime TV melodrama but you can see the effort the majority put into making this as genuine as they can.

Cage gives a good performance and, these days, that should be sufficient praise. OK he is pinned and limited but he does what is asked of him. Being in the families was a tougher job for the cast as this is the side that could have been soapy. Casting Gyllenhaal and Bello seems like the best way of countering that and indeed that is just what they do, making real their characters. Not a perfect film by any means then, because it does drift into soap opera and it does rather feel that we never get into the focused story within the bigger one, no matter how tightly it pulls the narrative around it.

Still good and better than it easily could have been, but the real events do help by providing the emotion and shock already built in to the audience.

So you get more a documentary kind of vibe of it. This is then the story of firemen and their families. Who both are helpless in more than one way to the horrific thing that happened that day! It's nice that as with "United 93", Oliver Stone asked the families for permission, too. He got many details from those conversations and that shows on screen! This movie is character driven, but not in the sense that the main leading characters are actively involved in a journey, which is something a viewer might want to see there's a character who takes that active role, but it merely seems enough Still gripping from start to finish, especially if you don't know what happened exactly This was the second film to show the devastating incidents of September 11th , after United 93, from director Oliver Stone.

Not long after the second tower is hit by another hijacked plane, and not long afterwards, the floor collapses underneath McLoughlin and Jimeno. They are still alive under the huge amount of rubble, and even with their bodies in pain, they are not giving up hope waiting for help to come.

Eventually it does come, and both get out alive with very bad injuries, and are seen as heroes, as well as the people who saved them, showing even with evil, there is always good to go against it. I have to admit I found the dialogue a little cheesy, and it was sentimental, but remembering that it is based on fact and set in the horrific event, you have to try it.

Worth watching! The director, Oliver Stone, labored under multiple handicaps in bringing this story of two trapped Port Authority policemen to the screen. First of all, the narrative is hindered by the constraints of reality.

Nothing of much cinematic impact really happened during the attacks on the twin towers. Two airplanes crash into the towers, then a few hours later, kaboom, and the rest is rescue and recovery. It's inherently undramatic. And there were probably a myriad heroes but no single individual strapped to the mast, singing out, "Damn the torpedoes!

Full speed ahead! And there can't be any villains either. Nobody knew who was behind the attacks at the time. And if you exclude the jihadists, what's left? Kirk Douglas' egomaniacal reporter in "Ace in the Hole"? The pregnant wife at home, vomiting at the news, and declaring that she will give her unborn child the name her husband wanted. Flashbacks to happy home lives, when the trapped husbands gave their sons instructions on the use of a saw, beaming at their wives.

A Marine inspired by a visit to his church who plunges into the rescue effort. And it gets worse. When an officer dies, he sees the tunnel of light with Christ at the end. What if he'd been a Jew? A shame, really. The weakness of the drama is not compensated for by spectacular scenes of buildings collapsing -- which is probably a good thing, because that way lies just another disaster movie.

More telling is the absence of any exploration of the systemic response to the catastrophe. One of the problems plaguing the rescue efforts was that the NYPD and the NY Fire Department had radios tuned to different frequencies and so were unable to communicate with one another.

By the end, first responders were communicating through , the emergency phone number. By the way, is that fixed now? It ought to be gripping and it's not really. Ditto for their families. What many would like to know is what's going on upstairs. To Stone's credit, his narrative is straightforward, with no editorial razzle dazzle. Not a sign of self indulgence.

And it seems like a genuine attempt at drama, not greedy cashing in on public interest in the events. The two men are rescued and of course any viewer is glad. It was a catastrophe. And the catastrophe has deepened. And a dozen times more Americans have been maimed. We've lost more than anyone could have predicted. Quinoa 11 August Maybe part of my reaction to Oliver Stone's latest directorial effort, World Trade Center, is not totally the film's fault, or maybe it is, I still can't decide.

With World Trade Center, this time we get one of the chief directors working today with melodrama and heightened emotions, who more often than not does make it work for his goals.

That matched with a story that has no real villains aside from the elements around them i. This is a respectable, well-made dramatization of the events of these two un-questionably brave policemen.

If it isn't better than it could've been, it's because of its ambitions as a simply respecting, and sentimental detailing. This is not to say that Stone and first-time writer Andrea Berloff don't put up some very effective scenes. It's just that they often have to share time with material that, while probably not far from the truth, are too typical or diverting from what is compelling.

For example, the early scenes as the chaos first comes up with the first plane hitting the tower, and the officers going in, is just the right pacing for this set-up material. When officers John McLoughlin Cage and Will Jemeno Michael Pena are under the rubble, which is very well constructed by Stone's designers for full authenticity, their scenes together are close to touching.

Even a moment when Jesus comes into the picture via Stone's use of symbolism isn't lost on me. But it's in the cutting back to the families of the men where I started to feel the disconnect. I understand the purpose of showing the worrying, sorrowful wives and kids in this situation, but it becomes almost like filling up the running time, especially in the most unnecessary scenes of the film in the flashbacks showing both men before the incidents.

This added with Stone's hit or miss tactic of visual melodrama makes the film lesser than it could be. But this is all personal gripes, and what I did expect from the film I did get.

There are more than enough scenes that hit the buttons that should be met about the bravery and heroism of those who responded to the towers collapse. And Stone is tactful enough not to go all Michael Bay on us with his style and, at the least, keep a kind of restraint that seems to be a good rebound after Alexander. He keeps his actors in a state of mind that fits the subject matter, and even in the moments that do border on being in a TV-movie though in the end a stroke above a TV-movie , they're never un-true to what their characters need to be for the material.

World Trade Center is meant to hit the mainstream movie-going audience, unlike the more independent-minded and un-restricted United 93, and for a mass audience it's just the right touch of pathos that's not too soon five years later. On this, the sixth anniversary of the day the Twin Towers got attacked, I bought and watched World Trade Center in order to put me in tribute mode. Almost as compelling as Pena and Cage are Maggie Gyllenhaal and Mario Bello as their wives as they go through various emotions though, surprisingly, very few confrontational ones as they wait for news of their spouses' fate.

While there's some flashbacks and dream sequences like the Jesus one concerning Jimeno , this is mostly straightforward storytelling that's a bit unusual for Stone in that his point-of-view here is less obvious than you'd expect from him. While not a great film, World Trade Center certainly still has both touching and intense moments that make this essential viewing for anyone wanting to see an optimistic view of an event that could have made pessimists of both protagonists had things took a turn for the worst.

Excellent jobs for everyone involved! I now revoke much of my next-to-last statement. Outstanding Oliver Stone film dealing with the disaster of all times in the U. The film basically deals with 2 police officers who are trapped in the rubble of the Trade Center. It deals with their thoughts as they try to keep each other from falling into a permanent sleep.